Teamhair - Hill of Tara
Teamhair is the ancient name given the
Hill of Tara. One of the most religious and
revered sites in all of Ireland, it was from this hill that the Ard Ri, the High Kings of Ireland, ruled the land. The place was sometimes
called Druim Cain (the beautiful ridge) or Druim na Descan (the ridge of the outlook).
When walking the path that leads to the top of the hill today, one can easily
appreciate why. The long gradual slope eventually flattens at the top for an
amazing view of the broad plains in the Boyne and Blackwater valleys below.
All that remains of the complex is a series of grass-covered mounds and
earthworks that say little about the 5,000 years of habitation this hill has seen.
Just north of the
Mound of Hostages, a small passage grave dating to around 2500 B.C.,
is a large rectangular earthwork that once supported the Great Banquet Hall. Known
in Irish as the Teach Miodhchuarta, or 'house of mead-circling' the structure measured
90-feet wide by 755-feet long and was built to serve thousands of guests during times
of feast and celebration. Tradition also suggests that the Great Hall housed all the
leading knights of Ireland, acted as the ceremonial entrance to Tara, and was the
point where all the major roads of ancient Ireland converged.
South of the Mound of Hostages is the King's Rath and Royal Seat. In its center stands
the Lia Fail or 'Stone of Destiny'. Clearly phallic in design and form, the stone
is said to be one of the four treasures brought to Ireland by the Tuatha de Danann,
a gift from the gods that would roar three times when he who would be rightful
king stood upon it.
Although the stone has been moved several times, it originally stood beside
the Mound of Hostages. The chamber of the mound is specifically aligned to
catch the sun at the time of two major Celtic festivals:
Samain (Summer's End) on November 1 and
Imbolc (The Budding) in early February.
A great fair or feis, was held at Tara at the time of Samain. Lasting three days
before and three days after, the feis was an intricate affair, much more than
just a week of festive celebration. Here, the ancient laws were recited and
defined, new laws were enacted, grievances were acknowledged, and disputes were settled.

As was customary at all such assemblies, the ancient history was recited before
all the people by the king's seanachie, or storyteller, while the many other seanachie
carefully monitored his every word. The storyteller could not distort or modify the
accounts in the slightest, lest he be subjected to public criticism and humiliation
by his highly accomplished and disciplined associates.
This extremely efficient method of confirming and conveying the country's history
as a carefully monitored oral tradition was practiced for many thousands of years
before the introduction of writing. Even then, the practice did not die. Often
hidden behind the veil of folklore, it continued on for many long centuries
in response to a Christian church bent on revising what it considered a sinful,
pagan past. Hence, the rich history described by Yeats and Lady Gregory was theirs
to record only because of people so dedicated as to pass the words on generation by
generation, mouth by mouth.
There are so many stories associated with Tara that the difference between fact and
fable is all but impossible to distinguish. The kings, for example, may have been
the most influential men in the land, but it is doubtful that the kings of Tara ever
had complete political control over Ireland. The term 'High Kings' was more symbolic
than exact and, except for specific periods between A.D. 400 and 1022, it is a matter
of record that Tara was obliged to share power with countless other regional kings and clan chieftains.
Nevertheless, Tara remains the royal seat of romance and enchantment for the Irish.
It was here that the great goddess Queen Medb first employed her mystical powers and
a vast host of druids to reign over the land. Her rath, some 750-feet in diameter, lies
a half-mile to the south of Tara Hill. The young Fionn mac Cumhaill accomplished his
first heroic act by killing the evil Aillen mac Midgna, a fairy musician who lulled
the people of Tara to sleep and then burned the structure to the ground every Samain
for twenty-three years.
Tradition holds that Patrick lit a paschal (Easter) fire on the Hill of Slane in A.D. 433
as an act of rebellion against Loegaire, High King of Ireland, who decreed that no fire
should be lit within sight of the Hill of Tara. Patrick's act symbolized Christ's triumph
over paganism and, although Loegaire was furious, he sought to meet with Patrick and
question him. During the encounter, Patrick killed one of the king's druids and summoned
an earthquake to subdue the king's guards. He then used the three-leaved shamrock to
explain the concept of the Holy Trinity to the king and his court. Loegaire made peace
with Patrick and, although he never converted, the king allowed Patrick to continue
his evangelizing. On the eve of Easter Sunday, the local parish priest still lights
a bonfire on the Hill of Slane and the shamrock remains the national symbol of Ireland.
Although the High Kings of Tara were normally buried at Brug na Boinne or
Newgrange, just to the south of the Royal Seat are the remains
of the Rath of King Loegaire. Here the king is said to be buried fully armed in an upright
position in order to see any approaching enemies of Ireland. To the north of the Royal Seat
are numerous other mounds and earthworks. One of them, as legends go, could be the very
place where the head and hand of Cuchulainn were buried following his death at Sliab Fuait.

Text and photographs from
Ireland:
Standing Stones to Stormont by photographer and writer Tom Quinn
Kumpf. A photographic study of the ancient sites of Ireland with notes by
the author of events and experiences he had while working on the project.
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Visit Newgrange World Heritage site, explore the Hill of Slane, where Saint Patrick famously lit the Paschal fire.
Discover the Hill of Tara, the ancient seat of power for the High Kings of Ireland.
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